Jimi Hendrix

Jimi Hendrix reached wider recognition after years working inside American R&B; and soul circuits, where guitar often served primarily as companiment. In London from 1966, that background encountered British blues, psychedelia, high-volume amplification and new possibilities in the recording studio.

This profile places Jimi Hendrix within The Great Rock and Roll History, tracing the route from blues, R&B; and the chitlin’ circuit to the Jimi Hendrix Experience, and onward to a language in which feedback, distortion, wah-wah, studio technique and amplification become compositional elements.

Rock Icons: Jimi Hendrix

Electric rock shaman suspended between cosmic feedback, LSD, psychedelic eroticism and absolute guitar revolution.

The guitar stops merely producing notes: amplifier, noise and space enter the composition. From his work as a sideman on American R&B; circuits to the London of Are You Experienced, Axis: Bold as Love and Electric Ladyland, Jimi Hendrix connected blues, soul, rock and psychedelia while transforming the timbral and structural possibilities of electric guitar.

Name: James Marshall Hendrix
Born: November 27, 1942 — Seattle, Washington, USA

Died: September 18, 1970 — London, United Kingdom

Instruments: guitar, vocals
Genres: psychedelic rock, blues rock, hard rock, experimental rock

ARTIST OFFICIAL SITE: www.jimihendrix.com

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The man who transformed the guitar into psychedelic weapon

With the Jimi Hendrix Experience, distortion is no longer merely a side effect of an overdriven amplifier. Controlled feedback, fuzz, wah-wah, sustain and vibrato-arm manipulation become parts of phrasing. On Are You Experienced this vocabulary still coexists with relatively compact songs; Axis: Bold as Love expands harmony and color; Electric Ladyland brings the studio into composition through overdubbing, spatial effects and sound treatment. Voodoo Child (Slight Return) shows how blues can remain recognizable even as timbre is pushed far beyond its conventional form.

Original black and white ink drawing depicting Jimi Hendrix from the drawing "The Great Rock and Roll History"

The genealogical consequence is not simply a generation of faster guitarists. Hendrix makes available a different idea of the instrument: guitar can produce environment, organized noise, rhythm, sonic mass and color in addition to riffs and solos. Hard rock and heavy metal pass through this opening, but so do fusion, funk rock and later investigations of feedback and texture.

There is no single line: blues + R&B;/soul + rock and roll -> Hendrix + psychedelia/studio -> hard rock and heavy metal, but also funk rock, fusion and experimental approaches to guitar sound.

Tracks such as Purple Haze, Little Wing, Voodoo Child (Slight Return) and Machine Gun reveal different aspects of the same process: blues, rhythm, feedback, effects and amplification are treated as components of a single electric language. Albums such as Are You Experienced? and Electric Ladyland remain among the absolute masterpieces of twentieth-century rock music.

Influenced by

  • Muddy Waters
  • T-Bone Walker
  • Little Richard
  • Chicago electric blues
  • African-American rhythm and blues

Influent For

  • Hard rock
  • Heavy metal
  • Prince
  • Eddie Van Halen
  • Modern psychedelic rock
Book promotion consisting of web pages from the Rock Icons and Stories series and drawings from "The Great Rock and Roll History 1900-1974"
  • Eric Clapton
  • Cream
  • Prince
  • Stevie Ray Vaughan

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SOURCES

Official Jimi Hendrix archives

Psychedelic rock archives

Woodstock archives

Electric guitar historical archives

In rock genealogy, Hendrix occupies a point where existing traditions are reorganized through electric technology. Blues remains a recognizable matrix, but amplifier, effects and studio cease to be merely means of reproducing the guitar and become parts of the instrument itself. His legacy therefore does not amount to one model of guitar playing: it includes the weight of the riff, the use of feedback, the relationship between rhythm and soloing, and the possibility of constructing music directly through timbre.

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